YAKUMO JAPAN

Journal · 手記 · Marks

A mark you can’t place

18 October 2026

On the foot of a small pot by Echizen Bunzan: a square framed kiln mark in cobalt, with two characters brushed below it. It is not among the recorded forms. We set it down anyway.

The underside of a small white bonsai pot with drainage holes: a square framed mark in cobalt blue and two characters brushed in blue beside it.
Echizen Bunzan 越前文山 · the foot

At a glance

Maker
Echizen Bunzan 越前文山
Region
Echizen, Fukui
On this foot
A square framed kiln mark in cobalt; 文山 brushed below it
On record
Two stamped impressions, both reading 越前文山

01 · 記録 What is on record

Two stamped impressions

The reference records his mark as 越前文山, with two stamped impressions; which characters each impression carries cannot be settled from them.

A brushed 文山 is not among them.

02 · 観察 What is in front of us

Stamped, and painted

Here the name is put on the pot two ways at once: a framed kiln mark, and two characters brushed in cobalt. A stamp is pressed into the clay; a brushed mark is painted on. Telling the two apart is a good first step in reading a foot.

The underside of the small oval pot seen whole, with the cobalt kiln mark and brushed characters, and red painting showing at the rim.
The foot, whole

03 · 考え方 Why describe it

Described, not left out

We set it down because the pot is in front of us. A mark you cannot place is worth more to you described than left out — as long as it is described only as far as the evidence goes.

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